Get Positive

CLIENT

Kingfisher plc

PURPOSE

To encourage staff interest in environmental impacts and corporate goals.

DESCRIPTION

Animation, stills and physical objects using volumes, displays and fun to make emissions and paper use more tangible.

Feedback from the launch has been very positive with people really taking to the visualisation of a tricky issue.

Sinead Conway, Net Positive Delivery Manager, Kingfisher plc

International retail group Kingfisher has developed a forward-looking approach to sustainability with a long-term Net Positive goal. This involves all employees including those based in the corporate centre.

We advised on presenting key data on emissions and paper use in fun, encouraging and engaging ways to spark interest at an internal launch event.

We provided a short volumetric animation set in a scene familiar to staff, and a set of cubes equivalent in size to one gram of carbon dioxide at 15°C and standard pressure. We also supplied one hour’s worth of brightly coloured balls sized to equate to emissions per person per minute and co-designed a striking display of current paper use.

Still from an animation using a seasonal setting familiar to staff.

Using volumes to help make emissions more tangible at personal and organisational scales.

Staff really responded positively to the personal element, seeing data broken down by person and in relation to familiar spaces.

Hannah Judge-Brown, Interim Programme Advisor - Net Positive, Kingfisher plc

Past, present and future - Oundle School

Water used in one minute

CLIENT

Oundle School

PURPOSE

To assist the environmental engagement of staff, pupils and others.

DESCRIPTION

Package including a report and 17 sketches.

Oundle School dates back to 1556 when Lord Mayor of London Sir William Laxton endowed and re-founded the original Oundle Grammar School, of which he was a former pupil.

Early in the 20th century, Oundle gained a reputation for science and engineering which has continued to this day with the development of SciTec, a major new science complex. As new and growing 21st century issues increasingly come to the fore, we were delighted to receive an enquiry about whether we could help with the engagement of staff, pupils and others to reduce environmental impacts and, potentially, utility bills too. This provided us with an opportunity to test how we could offer real value within the bounds of a limited budget.

Working with just five annual figures from the School – gas, electricity and water use, waste to landfill and the School population, we were able to provide a bespoke package. Our illustrated report Ways of seeing Oundle’s impact sets out calculations, reference sources, coefficients and assumptions, a compendium of facts, some surprising and memorable examples of energy equivalence and answers to a set of FAQs. Seventeen accurate volumetric sketches show emissions and water use over periods from a second to a year.

We got boarding house consumption of electricity down by 21% in March, and I am sure that a large part of that was through the visualisation, report and sketches.

Ian Clark, Oundle School

The materials have been used in a variety of ways in outreach, training for service providers, posters and in classes with changes in behaviour starting to be noticed straight away and helping Oundle School move forward on the path towards environmental sustainability.

Making sense of carbon, trees and timber

CLIENT

Wood for Good

PURPOSE

To find a new way to communicate the carbon benefits of using wood and timber in the UK construction sector.

DESCRIPTION

A series of short animated films and case study images using Wood for Good’s data to reach construction professionals, policy makers and the public.

The competence and skill you have in handling large data sets is absolutely fantastic. And you still delivered a wonderful set of visuals for us that we can continue to use for a long time to come.

Craig White Chairman, Wood for Good

How much carbon is stored in a tree? How does that translate into cut timber and wood products? And how much carbon can be ‘banked’ by using timber for building houses in the UK?

These questions are raised and answered in a communication project that includes a series of short animated films and set of case study images created by Carbon Visuals for Wood for Good, the UK's wood promotion campaign.

The aim was to find a new way to communicate the positive carbon benefits of using wood and timber in the UK construction sector not just to construction professionals but also policy makers and the public.

Given the wide nature of the brief we agreed with the client to start the project with a scoping phase. During this, it was decided to split the film into three separate sections that could each work as short stand-alone films, rather than only as one single complex narrative. In addition we agreed to create a set of case study best practice images showing the carbon ‘banked’ in high profile buildings and timber products.

It has been very satisfying to shape and create a project which has both a business focus and important educational potential. I would like to see us working with more trade bodies and campaigns that have an important carbon message to get across.

Antony Turner, CEO Carbon Visuals

By liaising closely with the client in this initial phase we were able to spend time working up a communications plan, sourcing and examining appropriate data and creating draft film storyboards. This established a sound basis for the production schedule, culminating in all visual materials being ready for the campaign launch.

Data Sheet with methodology, data and references available here.

See Wood for Good website page here.

See our post-production video (giving insight from our clients on the project) here.

Visualising the carbon footprint of all US power stations

We are keen to find existing carbon emission data sets that would benefit from the Carbon Visuals treatment. So when CEO Antony Turner was invited to participate in an “Energy Data Jam” at Google's New York offices in July 2012 he was quick to accept as the aim of the event was to “…brainstorm how publicly available US datasets might be put to use in the continuing transition to a clean energy future.”

One set that we thought would benefit from ‘becoming visible’ was the eGRID data collated by the US EPA. This gives annual generation and environmental characteristics of all large electric power generators in the US.

A view showing the actual annual volume of CO2 produced by power stations around Chicago.

Emissions from power stations have been grouped by category and placed in order of size, making the biggest ever bar-chart in the process. The bases of the columns have dimensions 2,578 x 2,578 feet.

A view from Florida with 574 x 574 feet columns.

Narrower volumes do not give such a clear sense of volume, but they have the advantage of indicating the distribution of power stations more clearly.

The base of the 2,578 feet wide bar-chart as seen from Berkeley

By using our Google Earth Visualiser tool we are able to create images for any location in the US that show nearby power stations and associated data.

If you would like to explore this data using Google Earth you can download the KMZ file here.

Showing the emissions of power stations in this way is experimental, and a first step. We would welcome ideas and proposals on how this could be developed.

If you have collaboration or funding ideas please contact Carbon Visuals CEO Antony Turner.

Barts NHS Trust Estates Strategy

Barts Health NHS Trust was formed in 2012. It is the largest in the country with multiple sites and major projects planned and underway. For presentation of the Estate Strategy we created 3D models and a map=based animation that showed, in simplified form, development and other planned changes over a five-year period, together with data for water, gas and electricity usage.

We also provided a set of images for use in other presentation formats and media.

The carbon footprint of one hour's TV production

CLIENT

BBC

PURPOSE

To illustrate the emissions resulting from TV production for an industry conference at White City.

DESCRIPTION

Animation that shows the real-time emissions associated with making one hour of broadcast ready production, and image set.

The television industry is taking steps towards addressing sustainability issues associated with TV productions. A key tool, created by the BBC and made available through a partnership with BAFTA, is Albert - a bespoke carbon calculator.

Carbon Visuals was commissioned by the BBC to produce a set of images and a real-time animation showing the emissions resulting from one hour of TV programming. The data was provided by about 80 productions that were the first to use the Albert calculator at the BBC.

This animation was created for the BBC and shows the real-time emissions associated with making one hour of broadcast ready production - equivalent to about 8.2 tonnes of carbon dioxide.

Average emissions associated with the major stages of a production are here shown in order of size and as a whole, depicted in front of the BBC White City building.

These visuals were first shown at an industry conference, which took place in the iconic BBC White City building that is depicted here, on 3rd November 2011.

The PDF illustrates the emissions of different parts of the production process.

Albert was developed & trialed within the BBC in 2011, with production managers and coordinators providing data on about 80 programmes. While there were considerable variations between productions, the average (mean) rate - about 8.2 tonnes of carbon dioxide per hour - provides a first attempt at establishing a figure against which programme makers will be able to gauge progress in future.

Annually within the BBC, about 3,800 hours of TV are produced in-house. An annual volume of emissions, based on the average rate per production hour for programme emissions calculated using Albert, is here shown with familiar BBC buildings in Salford and London for scale.

The average (mean) rate of emissions associated with TV production, based on data from about 80 programmes, is about 8.2 tonnes of carbon dioxide per hour.

This is roughly equivalent to the annual emissions associated with space heating, heating and lighting for a pair of semi-detached houses (figures provided by the BBC).

Based on the average rate per production hour for programme emissions, 11 hours of production time would fill the void in the centre of the BBC Television Centre in London - a space that is well-known to production teams.

8.2 tonnes of carbon dioxide, the emissions resulting from one hour of TV programming, would fill a cube over 16 metres tall

3,800 hours of TV production would result in this amount of CO2 being released to the atmosphere

8.2 tonnes compared with annual emissions from two average UK houses (8.0 tonnes)

11 hours of production would fill the TV Centre doughnut

Illustrating carbon reduction potential for South Kensington 1851 Estate

Contributions to 2009/10 emissions from individual institutions.

Contributions to 2009/10 emissions from individual institutions.

Adoption of the Carbon Reduction Masterplan will prevent 2,303,047 tonnes of carbon dioxide entering the atmosphere between now and 2050.

Targets for emission reductions 2020, 2030 & 2050

CLIENT

Natural History Museum, Science Museum, V&A, Imperial College and Royal Albert Hall

PURPOSE

To illustrate the carbon reduction potential for the South Kensington 1851 Estate.

DESCRIPTION

Striking image set, to illustrate the Carbon Reduction Masterplan launched by the Minister of State for Energy and Climate Change.

Carbon Visuals has created a set of striking images to illustrate the carbon reduction potential for the South Kensington 1851 Estate. Organisations involved include the Natural History Museum, the Science Museum, the Victoria and Albert Museum, Imperial College, the Royal Albert Hall, the Royal College of Music and the Royal College of Arts.

These prestigious institutions came together in 2005 to embark on an inspirational long-term carbon reduction plan. Phase One involved laying the foundations and creating a realistic strategy. The Masterplan, launched in November 2011, marks the conclusion of that phase and the commencement of its realisation.

Carbon Visuals aided communication amongst the parties and with external stakeholders by creating striking imagese at various stages of the project.

Creating a computer generated model of the Estate enabled a wide range of different images to be created - wide angle, close-up, aerial and ground level.

To see the context in which the images were used feel free to download the PDF of the overview brochure.